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#211 | |
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Belt holder
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#212 | |
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Contender
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#213 | |
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Contender
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![]() something i posted in another thread two orthodoix fighters. get in close until my left shoulder is touching there chest area. try and throw something with the left to body to get them leaning forward. or just push with shoulder so they push back. then pull back my left shoulder which leaves a nice slot to whip the right uppercut thriugh the guard. works a treat. the more sideways you are the easier it seems to be to disguise. throw plenty left hooks to distract and not thinking of right hand then boom!!!! |
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#214 | |
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![]() The angles that you can present without having to expend a great deal of energy with this style is amazing. |
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#215 |
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Gimme some X's and O's
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Feinting.
Feinting is much an important aspect of creating opportunities for your offense. The aim is to deceive the opponent and make him think you're throwing something somewhere and then you throw it somewhere else. Or the part of him that opens up. You can make a fighter do things he doesn't wanna do just by feinting. It's boxings art of deception. It can be so effective and pretty much anyone will fall for a good feint. It keeps the opponent guessing and stops him from predicting your attack or figuring out your punching pattern. You can control what points your opponents adjusts his guard or what movements he makes by feinting certain punches. The most effective and my favourite feint is throwing a couple of jabs to the body, then feinting the next time which than brings your opponents hands down as he attempts to block the body shot leaving his himself open up top. you can manoeuvre his guard positioning by feinting. The more openings you can make for you power punches the better and feinting is a major tool to do that. It's a dying art though, feinting. You don't see too many fighters doing it properly as a result they're more predictable. Even if they do it it's too exaggerated and not effective feinting. I recently watched Eddie Perkins fighting Ryu Sorimachi (i can't find the vid now i don't know if someone can post it here) and he gave a masterpiece on feinting. |
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#216 | |
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Gimme some X's and O's
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#219 |
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Belt holder
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Feinting has to be educated or with purpose though. theres a lot of guys who seem to twitch and act like they are being electricuted, out of both their range and the opponents and it adds nothing to their game. Groves is guilty of this, particularly in the anderson fight. it wastes energy without providing any benefit.
the best feints are fake feints - or feints of a punch you have been delivering, fake that punch that you have been landing and deliver something in response to it. take this andy lee KO ( one we have all seen replayed 100s of times i know) - show somone a punch - feint it - set something up off it [ame]***********.youtube.com/watch?v=E2bPJQcDyu0[/ame] |
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#220 | |
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Gimme some X's and O's
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I loved trying to immitate southpaws when i was a kid. Last edited by slip&counter; 02-09-2012 at 06:57 AM. |
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#221 | |
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Mandanda Running E-Pen
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My only problem and i dunno how this is for most lefty's at AM level but sadly many trainers don't like it, don't know how to work pads for a southpaw and often try change fighters around to orthodox. |
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#222 | |
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Gimme some X's and O's
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#223 |
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Contender
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The 'philly shell' is quite a complex style with so many subtleties and variations that it's very hard to break down. It is often refered to as the 'shoulder roll defense' because the shoulder roll is one of the defensive skills that is incorporated by most boxers that use this style.
Since most of the interest in this style is from a defensive stand point, I will start with the defensive benefits of using the philly shell. The first defensive skill I'll talk about is the shoulder roll. The shoulder roll is very effective for defending against the orthodox right hand, specifically the straight right. Not only does it ensure that the chin is well protected from the shot, but if executed effectively, it sets up clean counterpunching opportunities. [ame]***********.youtube.com/watch?v=sAC6o9420fc[/ame] 3:10 (3:17 for slow motion) shows perfect execution of the shoulder roll by Mayweather. Not only does he protect his chin and deflect the shot away with the shoulder, he comes back with a nice short shot of his own, which Mosley is wide open for. With the shoulder roll, the orthodox fighter will turn his shoulders clockwise as the punch is anticipated and as this is done, it also takes the right hand out of the opponent's sight, which makes it a lot harder for them to defend against a counter that they've already been opened up for. Further examples of the shoulder roll - counter right hand being executed: [ame]***********.youtube.com/watch?v=LDrFQtbM2rc[/ame] Another defensive benefit of the philly shell is that when a fighter is backed up against the ropes, because of the hand position, they don't restrict their own vision and this allows them to parry, slip, roll and counter against punches. A few examples of this: 8:25 [ame]***********.youtube.com/watch?v=Xl50iVr25R8[/ame] [ame]***********.youtube.com/watch?v=DQjBDsHOpv4[/ame] Due to the hands are held in the philly shell, so many defensive moves can be executed with minimal effort and energy expendature. [ame]***********.youtube.com/watch?v=YqOJp9Wmayo[/ame] At around 1:45 Floyd Mayweather demonstrates how with very, very small movements shots can be blocked and present huge counter opportunities. Since there is so much involved in this style, I'll make another post with the offensive benefits and if anybody wants me to try and explain further any defensive specifics, just ask. I'm not great at writing out long break downs Last edited by Jdsm; 02-09-2012 at 10:51 AM. |
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#224 |
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2010 Poster of the Year
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Awesome post JDSM but your missing one really important little thing- and I think its actually the single most important part of that 'style' of boxing. I hate calling it the 'philly shell' because as far as I'm aware its computer game terminology- please someone prove me wrong so I don't feel a twat typing it.
Look where the fighters body weight is generally proportioned. He sits over the back leg (unless he chooses otherwise). By doing this he allows himself a number of functional advantages.... 1. His opponent has to reach to hit him- if you reach your off balance. So whilst he is on balance and his opponent is off balance he has the advantage. 2. Movement originates in the legs- specifically the back leg. The lead leg supports the movement- but the inital movement tends to be initiated by movement from the back leg. Think George Groves..... 3. More leverage for the right hand. You load the back leg to transfer the weight for the right hand. Thus if your weight is sat there all the time you have it available to you at all times. 4. Multi directional movement is easier. If your weight sits on the back foot then you can quickly change the direction your moving in faster as there is no weight to shift. 5. Keeping the weight on the back foot allows you a great base from where to throw all your shots. You should not be shifting your weight around for each individual punch, you should have a base from where you can execute any move, at any time. For example if your weight is pitched forward you can no longer deliver a good cross, you can no longer roll and slip as effectively. etc etc..... Its no coincidence that all the top fighters you name here as stylist proportion themselves in this manner.... compare this [ame]***********.youtube.com/watch?v=AnUU3SbywZU[/ame] [ame]***********.youtube.com/watch?v=60GuoYpmbJo[/ame] [ame]***********.youtube.com/watch?v=r8INHy35zWg&feature=related[/ame] |
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