|10-29-2012, 04:22 PM||#46|
East Side VIP
Join Date: Sep 2005
Location: Martha's Vineyard
Re: Archie Moore Quotes on the Marciano fight
Moore on self-defense:
"I was a defensive fighter first. That's the first thing I learned. Like they say, boxing is the art of self-defense. So when I started boxing, I was so wrapped up in boxing, in the art of boxing, I learned defense. That's the important thing. That's the thing to learn first. Then, after I been fightin' about a year, I learned how to punch. What I mean, I always could punch. I was a natural puncher, but I learned how to get the most out of those punches....
"I try never to let nobody hit me. Nobody. I try to block all punches. I try to catch 'em with my hand, block, turn my head so they roll off my shoulders. I made it a policy long ago never to take part of a punch. You know it's that can wear down a fighter. You take a little and a little and a little and pretty soon you goin' to wear down. You know a little drop of water can wear a hole in a rock. It can wear away iron or steel. Which I mean, every fighter is goin' to get hit in some part of a fight. Every man goin' to get hit some time in a fight. But I try never, never, to get hit in the head.
"Now I'm told the brain control the whole body. Now I don't know, but that's what I'm told the brain is, what I mean the message center for the whole, you know, the whole physical body. Control it. Now I don't know how big the brain is, how much it weigh. I don't know if it's this big or that big. And the head, the head is a box for the brain. The brain is in that. And you know if you keep hittin' that box, hittin' it, the brain is bound to take some shockin'. You keep hittin' it long enough pretty soon it's goin' to make you do some things you don't want to do. It's so delicate in there you get those wires crossed the rest of the body not goin' to do what you want it to do. You see some of those old fighters around that way today took that knockin' on the head, they're in a pitiful condition.
But my standards is so high, I get hit so seldom, when I do it don't make so much."
Moore on Marciano:
(During a filming of the first Charles-Marciano fight.)
"Look at Marciano. Everything's deliberate. Everything's deliberate. See, one punch. Now another. Charles didn't jab the man. Look at that. That's not a jab. It's just a little push. Here, look at that. Twenty seconds and he didn't hit him. That time a man could throw four jabs. Look at that. Ten seconds. Man could have four jabs in that time. Left hook's Marciano's best punch. Marciano's not such a fast starter. Look at that. Amateurs. Look like an amateur fight. Look at that. Charles tryin' to counter. How you goin' to counter that hook? Man got stubby little arms not longer than that...."
( Charles hit Marciano with a good left hook.)
"Look. Look. Look at Rocky backin' up. Rocky's hurt. See him backin' up? Charles don't go after him. He just stands there watchin' him."
After the filming, Archie observed that the first Charles fight was Marciano's best. "Absolutely his best fight. I got to watch these pictures many more times. Study them."
Both Archie and Cheerful believe Rocky has survived as champion because no opponent yet has subjected him to the cumulative destruction of a series of good blows, something Moore intends to do. Neither is too concerned about Marciano's looping right because he misses with it so much.
"How the man gonna hit me?" Archie asks, a point Marciano himself has been heard to raise. But Archie adds: "If he does luck up and happen to hit me, that'd be only natural. Man 38 fightin' a man 31."
For all that he is an artist in the ring, Moore is a realist too. He doesn't expect to get through the fight without being hit at all. He does believe that, except for that element of luck, he can protect himself against any damaging blows Marciano can throw.
How will he fight Marciano?
"I told you that. I'll fight him with a mixture of all the years of being in the fight game, the things I learned, the tricks I learned, the way I've been telling you."
SOME MOORE STRATAGEMS
AGAINST A BOXER
Opposing Bobo Olson, in the fight which made certain his shot at the heavyweight title, Moore threw a most un-Moorelike overhand right in the second round. He explains: "I wanted him to start thinkin' that's what I wanted to do. I missed him a mile. I just wanted to get him scared of my right hand. Then I went to work with the left."
AGAINST A SLUGGER
Like Marciano, Bob Satterfield was a swarming, aggressive fighter and dangerous because of his powerful punch. Moore stopped Satterfield in three rounds but only after setting him up for a knockout with a succession of stiff jabs which kept this strong one-punch hitter off balance. Moore is expected to use the jab on Marciano, too.
AGAINST A COUNTERPUNCHER
Ron Richards, Australian champion in the middleweight, light heavyweight and heavyweight brackets when Moore fought him, counterpunched with a dangerous uppercut. With Moore's jabs falling short, he lengthened them by leaning forward, virtually inviting an uppercut. But Moore blocks uppercuts easily and knocked out Richards.
AGAINST A BOXER-COUNTERPUNCHER
A knockout punch may take 14 rounds to set up, as in Moore's title bout with Harold Johnson. "I knew what I wanted and I knew how to get it—a straight right." But Johnson, who had fought Moore before, avoided the right by fractions of an inch. Moore pounded his body, weakening him, and the right finally landed in the 14th.
THE GUILEFUL ART OF FEINTING A LA MOORE
A good feint tricks the opponent into expecting what isn't coming or induces him to throw what he shouldn't. It may be only a subtle shifting of the feet or the apparently careless dropping of a guard. Moore is a master feinter but Marciano, once he is stung, tends to ignore an opponent's feints and just swings at random
Drawing back right foot (1) makes opponent think Moore is setting himself for a left hook. The opponent weaves to his left to get out of the way and moves into the path of a straight right to the head (2). The straight right should meet the opponent as he is moving because then he is off balance, or at least not in position to make his own counter. But if the right-hand punch had missed, Moore would then have been open either for a right hook to the body or a left hook to the side as a counterpunch.
Drawing back left foot slightly (1) may feint a reluctant jabber into action by persuading him he can jab Moore off balance. If the jab comes with opponent's right hand low (2) Moore blocks it from the inside with his right hand, which continues on in one motion to the opponent's chin. With opponent's right hand high (3) Moore again blocks with his right but at the same time weaves to his left, thus getting his weight onto his left foot, and then is in balance to throw a left hook to the body.
Shifting shoulders to right and dropping left hand may draw a right lead to the head (1). This exposes left side of feinter's face. As the opponent starts his right to the head (2) Moore instantly shoots his own right to the chin, moving forward to get inside the opponent's right. Only a boxer with a very fast right hand should try this feint, though it is safe enough if the opponent is out of position to throw a right but can be tricked into it. Moore's right hand is one of the fastest. His experience spans a generation.
Leaning back with right hand high against head (1) so opponent will not use his left hook may influence opponent to try a right to the body. When he comes in with his right (2) Moore hooks him with his left or (3) brings the jab up from a low hand position—a Moore characteristic. Marciano normally comes out boxing and can then be feinted, but once he is stung, the champion changes to his natural, swarming style and thereafter never has to be feinted until he begins to tire in the late rounds of a long fight.
Dropping right hand and leaning a trifle backward (1) may draw a left hook. Moore then moves to his left (2) and as the opponent's body comes around with the momentum of the hook Moore hits him in the body with another left hook. A risky alternate move would be to step inside the opponent's hook with a right counter but Marciano's stubby arms are difficult to get inside of, and the left hook, in Moore's opinion, is Marciano's very best punch. His short arms cause Marciano to prefer to fight close.