Fitzsimmons was much more agressive at 160lbs as Janitor eruditely expressed. As he climbed the ranks his style simmered down into a dangerous form of 'cameo blitzing' with counter-punches, if you will. He was especially fond of a one-two with hooks to the head, the combination which vanquished the talented Jim Hall for good. Lennox Lewis was also very fond of this combo. It can also be seen on this video against Corbett around the 3:17 mark: [yt]<object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/BOFdL5VkcQM&hl=en&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/BOFdL5VkcQM&hl=en&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object>[/yt]
Bob was up at 7. Does he beat the count if he doesnt grab on to save his life after the knockdown? him grabbing on to corbett seemed to havesaved him at least 5 seconds. I am suprised this is not more controversial in the minds of historians. Nice footage though...I think it clear enough to grasp a sense of styles. Overall I have to admit, both great fighters for there era..but both behind in boxing technique compared to future eras.
ill sift through some articles on Thursday and might try out afew things. I tried doing that front foot think Fitz did and it was hard to do as old habits die hard.
Janitor can i just add, i thought combination punching was uncommon in the day by looking at pictures of Fitzsimmons defence which only looks like it would deal with 1 shot at a time. However reading into it further combination punching isnt rare + add in the fact i sat on my remote the other day about post 3 or 4 on here. Im baffled how Fitz defence worked
Those pictures Cross proudly displayed for us demonstrating technique in the olds days are very historical and informitive. However on the broad side of things, it appear to me many of the block techniques fitzsimmons appeared to use were more karate like blocks then boxing technique. I think I saw two techniques in there that looked like WAX ON WAX OFF and SOUND OF FLOOR
Combination punching back then is a vexed issue because of lack of film. In the absence of evidence we have to consider that James Figg might have used combinations. It is prety clear cut from the contemporary sources that Jem Mace typicaly finishe his oponents off with a combination. Bob Fitzsimmons threw verry complex combinations at times. Joe Gans seems to have emplyed sustained combination punching. The question is not whether these early fighters threw combinations but whether their combination punching was representative of the period or the sorcery that led to them being clled legends. In terms of how Fitz's defence worked I think it worked on the principle that if you threw one punch you would have better things to worry about than throwing combinations.
Alrighty...Just did a little bit of experimental sparring, primarily against jabs (didn't want to do too much at once since this is essentially the first time I've really worked with Fitz's material). Unfortunately, I didn't have a camera handy. Moreover, I am hardly a great boxer. Regardless, my thoughts are as follows.... SUZIEQ: Yep, the blocks are a bit more like karate than boxing blocks. A lot of this is because of the smaller gloves--you need to block further away from your body and primarily with your arm rather than your tiny gloves. On the other hand, Fitz preferred head movement (either backward or to the side) to blocking--he makes this very clear in his manual. You're right when you say that he commits a cardinal sin in moving back, but you have to understand that Fitzsimmons' style is very, very different than modern boxing. From the ground up, starting with the foot placement. It isn't as if he just does one weird thing that leaves a hole in his defense. Rather, the openings created by each weird thing are guarded by another weird thing. The reason he was able to lean back--and why none of his contemporaries did so on a routine basis--was because he had his front heel off the ground and his weight centered on his right (back) foot. It requires a lot less effort to pull away from jabs when you're doing this against a shorter fighter. When I tried it, it was harder to do against double and triple jabs--you're right on that count--but that's where other things like the blocks and counterpunches come in. It still took a lot of the sting off, though...and the front foot off the ground also allowed me to pull back a la Vitali (sorry, I know you dislike his technique as well...) against doubles and triples. That, and it was my first day trying this stuff. Janitor -- The only combination I could find in the manual is his shift. I tested it a bit, and it seems to work. It goes like this: 1) Throw the right to the head or body. Instead of simply rotating on the right (back) foot, pull it forward and step through. This is a little like a karate lunge punch: This content is protected [YT]zO_pv-5QuWc[/YT] 2) Now that your right foot is in front and you're close to your opponent, hook to the body: This content is protected 3) Then whip the same hook up to the head This content is protected ..............This could be prefaced with a jab. He doesn't seem to throw too many combinations, though. GPater: A couple observations that might help you. First (as noted above), he tells you to drag your back (right) leg a little forward as you throw the right hand. When combined with the weight being mostly on the back foot, I notice that this generates a lot of power. Don't step through, necessarily...just move it forward a bit. His method of stepping is a little peculiar as well. He moves his front foot forward heel-to-toe, like a fencer (forget the dialogue; just notice that his heel is landing on the floor first). [YT]MxAQUrG-uNU[/YT] Since your front heel should be off the ground, this gives each forward step a sort of rolling motion (and makes the right hand more powerful if you're also stepping with your left before moving your right, incidentally, since it grips the floor to drag the body forward). If anybody needs clarification, I'd be glad to provide it. Comments? Questions? Critiques?
Perhaps look a bit closer at his combos as described in the papers. This is all good in a textbook but the newspaper acounts suggest that Fitz reacted and adapted to his situation in terms of the combinations he threw. He was reactive above all. If you think his style was limited to some manual and he couldn't think on his feet then you are selling him 90% short.
How about Ali vs Holmes or Berbick? Or Tyson vs McBride? Maybe the elegant and graceful Foreman vs any of his comeback opponents particularly Schulz or Moorer? From Fitz' text book: "In guarding always keep your elbows close to your sides. This takes in the benefit of the forearm, and if the glove be held close to the face all that side of the body is protected. Never land a punch without having the block ready to meet the counter." Did Fitz actually have a high guard at times, or does the use of the word face instead of chin mean something different. Which element of the stance makes him susceptible? You need to be more specific so that we can see what Fitzsimmons actually says about it and how he deals with it, rather than just guessing ourselves. I used to think he stood too square (for example) and you might be right, but his manual says otherwise. Fitz again: "The man who would evade an onslaught by thrusting back his head and body so that he is almost falling backward is all wrong. His adversary could follow the attack and easily have the "backward" man at his mercy." Well i guess you got the part about being susceptible to a Joe Louis (or even Bill Lang) combination punch correct. Only problem is that so did Fitz. It appears as if his defence was not as it seems to you, doesnt it? From Fitz again: "When a blow is struck the proper way to avoid it is not to stop it with the hand or forearm, but to "slip" it. By "slipping" a blow, I mean that you should get away from it in such a manner that no part of your opponent's arm touches you. This is known as "ducking" and "side-stepping." For instance, if your sparring partner swings his right for the side of your face, lower your head and let the blow go over. Do not "duck" in toward him. Let your head go under the blow and away from it to the side. This prevents your opponent from landing an upper-cut, which he would do if you were close enough to him." Sounds like head movement to me!
Yeah, he invented itatsch Did he teach Sam Langford and others also? Johnson fought at exactly the same time as Fitzsimmons. The actually fought each other? Did these traits just suddenly appear or did film quality slowly start to get a little bit better? He was a great fighter, but this has nothing to do with Fitz, who as was illustrated in my last post also did all those things. Or at least he knew that was what he was supposed to do. Maybe you are saying that he just wasnt able to execute the way he wanted to. This would be a bit of a surprise though, given his amazing record. Stiff left jabs are an interesting thing. The only real difference between old and new that seems to be really prevalent is that old stance has weight on the back foot, while new has the weight evenly distributed. Try the two out (and unless CTs next posts which i havent read yet say otherwise), I would have thought this meant that the new stance allows a faster jab, the old stance would allow a "stiffer" jab.
Actually, Fitzsimmons is as unique in his own time period as he is in ours. He's the only fighter in that era who raised his front heel. Everybody else raised their rear heel like modern fighters. That being said, the late 19th century jab was a great deal "stiffer" than a modern jab, since it had greater commitment and resembled a fencing lunge. You can actually see it in the photographs of his opponent's jab.
You're right; I was looking at the manual as a record of his "bread and butter" basic stuff. He obviously knew a lot more than that, and was far more versatile in the ring. Sometimes I get a little too black-and-white (no pun intended) when dealing with old fighters' material and neglect to put sufficient weight on the newspaper accounts. When I do so, just smack me. (It's OK--I'll just lean back on my flat rear foot to absorb most of the force of the blow). This is why it's nice that ESB has such a wide variety of different analysts with their own methods. :good