I fully comprehend the work of Ingmar Bergman, Francois Truffaut, Jean-Luc Godard, Andrei Tarkovsky, Michelangelo Antonioni, Terrence Malick and Federico Fellini, I ain't no lightweight, but I don't comprehend modern art, because there's nothing to comprehend.
Ugh. Off the top of my head... here's 10 random films that are faaaaaar funnier than that dreck. Beetlejuice Ghostbusters Coming To America Revenge Of The Nerds A Fish Called Wanda Crocodile Dundee Trading Places Gremlins National Lampoom's Christmas Vacation The Burbs
And against world class opposition. If he went the usual route of fighting 20 bums before stepping it up he’d have a record of something like 30 wins, 27 knockouts and be considered a devastating puncher because he’d have a highlight reel of KO’s against bums. He moved up to 130 and brutally knocked out Martinez, a champ in his first fight in the division. Then did the same thing at 135 against Linares. That doesn’t happen, and it proves that he is a very good puncher.
I actually think hes simply a light hitter. His accuracy, timing, shot placement are unbelievable. Loma knocks people out with skill more so than power.
A lot of guys would be better boxers if they weren't so in love with their power. Loma and Thurman are perfect examples of opposite ends of the power to boxing ratio.
Half of those are retirements, quit jobs, not real KOs. If he had power like Golovkin he would separate men from their senses and leave them stretched out on the ring mat.
I actually think Golovkin would beat LOMA IF they were both the same size. Golovkin is amazing, he is the glitch in the hypothetical matrix.
It looks good. You said it's French but they were speaking English and I thought that A24 was an American Indie studio. A24 is just killing it lately: Good Time, The Witch, Killing of a Sacred Deer, Green Room, Ex Machina, Moonlight, Ladybird, The Room, The Rover, Slow West, Under the Skin, Swiss Army Man, A Most Violent Year, The Lobster. They are like Miramax in the 90s or Orion in the 80s.