Favourite Technique Wells?

Discussion in 'Classic Boxing Forum' started by George Crowcroft, Jul 30, 2026.


  1. George Crowcroft

    George Crowcroft He Who Saw The Deep Full Member

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    Robinson was a genius, in so many ways. You've made me ever more convinced that Floyd gets thoroughly annihilated by him.
     
  2. McGrain

    McGrain Diamond Dog Staff Member

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    I genuinely don’t say it lightly because Floyd is of the highest class as a boxer, but his chances against Robinson aren’t that serious. Floyd’s not falling for anything in that post though.
     
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  3. JohnThomas1

    JohnThomas1 VIP Member

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    Take a look at Curtis Cokes. He loved to jab slightly outside his opponents face to herd them into his right. It's pretty basic as far as missed jabs go but it worked well for him.
     
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  4. Ioakeim Tzortzakis

    Ioakeim Tzortzakis "The David Haye of Loma's Gay" -Edgar Allan Poe Full Member

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    Nah you're not seeing things, you're right on the money. There's some extremely clear footage of Robinson throwing these noncommittal jabs on the double-end bag, and you can almost feel the "lack of effort". The double-end bag is the second most unstable of all training bags and it's barely moving here. I've no doubt in my mind Robinson deliberately practised this sort of stuff.

    https://mdc-wolfson-streaming.s3.amazonaws.com/streaming1/WC04764.mp4

    Go to like, 4:50 in. It's got some rare Basilio training footage if you're into that as well. The footage is very sexy, you can really feel the presence and gravity behind the moves of these old fighters. Even the best pre 60s fight film doesn't quite capture that element the way modern cameras do.
     
  5. McGrain

    McGrain Diamond Dog Staff Member

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    What fascinates me especially about Robinson in this fight is that he's informed by the five matches that have gone before. He's putting LaMotta in it from the very first round, it's so great.
     
  6. Ioakeim Tzortzakis

    Ioakeim Tzortzakis "The David Haye of Loma's Gay" -Edgar Allan Poe Full Member

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    Absolutely. This is why I wish fighters from that era had extended footage, so you can see the sort of stuff they learned while fighting world class opposition and see them grow. Tons of rounds and tons of rematches.

    The entire murderer's row + Archie Moore would be the pinnacle of it, or just about. It'd be capable of feeding me and my descendants until the abolition of Boxing.
     
  7. META5

    META5 Well-Known Member Full Member

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    Following on from Macca's post-of-the-year breakdown on Robbi and LaMotta - it made me think.

    The exact same principle is employed by Robbi in the famous KO of Fullmer. It's my favourite punch captured on film, but the fascinating part is the skill and delayed gratification employed by Robbi.

    Macca's post dismantles the myth that Robbi was just relying on natural athletic gifts, revealing the deep, high-IQ spatial experiments he was actually running inside the ring.

    To build on that point: Robbi used the exact same optical deception, footwork, and bodywork to set up the Fullmer knockout. People look at that single-punch KO and think Robbi just knocked him out going backwards. That's a simplified recount of what was actually a long, deliberate, hypnotic trap.

    Here’s how Robinson actually executed it:

    The visual lie and the body bait
    Fullmer was a highly-skilled, brutal, crouching swarmer who relied on tracking the lead shoulder to anticipate the jab, slip inside, and smother.
    In the early rounds, Robbi fed Fullmer a specific lead-shoulder tell - the exact same non-committal, probing jab highlighted against LaMotta. However, Robbi didn't just use it to measure distance; he used that false jab to open up the long right hand to the body.

    Backwards footwork as a distance marker
    While establishing this pattern, Robbi was deliberately circling and retreating, falsely ceding ground. This took the sting off Fullmer’s rushes, but more importantly, it established a false distance marker. Fullmer felt in total control, pushing the pace, convinced it was safe to keep barreling forward because Robbi supposedly couldn't generate finishing power moving backward.
    Right before the knockout, Robbi lands a long right hand to the body. He circles back, maintains the retreat, and then throws that right hand to the body again.

    Stopping on a dime: The biomechanical hack
    This is where Robbi’s spatial genius comes together in Round 5.
    Having just been conditioned by two right hands to the body while tracking a retreating fighter, Fullmer lunges in again. As Robbi shifts his lead shoulder, Fullmer instinctively drops his left hand, anticipating a third right hand to the body.
    However, right as Fullmer commits his weight forward with his guard down, Robinson stops on a dime. Instead of continuing the retreat, Robbi plants his back foot, shifts his weight forward into the canvas, and pivots. He turns the shoulder over, changing the trajectory into a short, arching, brutal left hook.
    Fullmer didn't excessively dip into the punch; Robbi deliberately baited him into dropping his hands with body shots, then planted his feet to deliver a maximum-leverage hook right as Fullmer stepped forward, moving his head into the sweet spot. Fullmer never saw it coming because until the final split second, every optical cue told him he was chasing a retreating fighter going back to the body.

    As Macca pointed out, Robbi didn't just throw punches to land them; he threw them to miscalibrate his opponent’s internal radar. Whether it was using a shortened jab to draw LaMotta into range for a brutal right hand, or using retreating footwork and bodyshot bait to blindside Fullmer, Robbi was constantly playing chess with his opponent's spatial awareness, deliberately forcing their predictable response to punish them.

    It’s the ultimate proof that Robbi wasn't just an incredibly gifted natural puncher; he possessed a master-level analytical mind to engineer absolute destruction.

    It's exactly why I chuckle when we get into back-and-forth debates about the supposed evolution of boxing. I don't see any filmed evidence to dissuade my contention that Robbi, pre-Doyle, could very well stop, and I mean brutally KO, your favourite modern-day ATG.
     
    Last edited: Aug 1, 2026
  8. George Crowcroft

    George Crowcroft He Who Saw The Deep Full Member

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    I watched LaMotta vs Robi last night for the first time in a couple years and wrote up a couple of the things I found most interesting.



    Pairing the Jab/Hook:

    Robinson throws his jab with a lot of flicking or snapping at elbow, and he keeps those elbows out and flared. For most jabs, he simply flicks his arm forward and touches them; for the harder jabs, he puts the oomph into the punch by snapping at the elbow. He likes to circle to his left when he's working the jab; he can do it while moving or while his foot is anchored. The jab obviously plays a role throughout the bout, but it's the main instrument in the first few rounds.

    LaMotta was attempting to counter jab Robinson; especially after he missed. As the fight progressed, Robinson began using these misses to throw counter-crosses over Jake's counter jabs.

    Like his regular jab, he can throw the body jab while circling; which takes much more coordination and balance as you're level changing in the opposite direction which you're circling. These body jabs come harder than the average jab to the head it seems; as a good stiff body jab is sure to keep some distance; or at least put a little lump on their chest or belly.

    One of the many things about Robinson which is fascinating, is his feints with his lead hand. He'll throw half a jab, he'll twitch at the elbow or shoulder; he'll drop down for a body jab and not throw it.

    With the jabs which fall short and miss; the opponent learns to have less respect for the jab. The feints reinforce that belief; each feint convinces an opponent that a movement isn't necessarily a jab and they need to wait a little longer on each shot. It's a very well told lie. And those lies hide his left hook.

    The left hook was a show stopper in this one. Sometimes Jake would wade in and Robi would just whip his hand across, catching him with the left hook. He'd flick his arm out then back in for a hook; he'd drop his weight down for a body jab then spring back up with a leaping hook. It wasn't uncommon to see Ray jab then slip then come back with a hook, all while pivoting. The hook brings him back in his stance, it sets up the next punch; it exploits quick and brief openings and of course, it's the king of the counters.

    His left uppercut was at times used as a counter to the big right hands LaMotta pitched. It made an appearance in the ninth, as a quick counter to Jake bobbing to his right as he stepped in.


    The Rare Rear Hook to the Body:

    He brought the rear hook to the body on display at the beginning of the third when Jake pulled him into a clinch. He let odd several of them in a row, before switching to the uppercut. After he broke away from the Clinch, he began to set his feet more after the jab and fling those wide arcing right hooks to the body in from outside.

    The rear hook to the body has the potential to be a bridge to the inside, but like many body punches, it can also be a barrier to the inside for the opponent. You can shorten the hook as you step in, slotting yourself into range where all punches can land; or it can be widened and long, catching an opponent under the jab as they step in. It punishes the pivot, the jab and attempts to cut the ring. In Jake's case, he was forced to stomach these shots for all three.

    As Robinson circled, Jake often found himself pivoting on his lead foot to keep up; which led to him turning himself onto the rear hook to the body. Ray would fire that hook underneath his jab, sliding it in as Jake barrelled forward. When LaMotta cut the ring; he has to step out with his right foot then his left follows. During this second step, Ray's rear hook splatters into LaMotta's ribs.

    And then this Rear Hook to the Body would set up two other shots for Robinson which he brought into the fold later on in the fight. The Right Uppercut and the Straight Right. The hook brings the guard down which sets up a straight right over the top of LaMotta's left. A hard body shot will bring a man's head forward and down; which let Robi smash in the uppercut.
     
  9. McGrain

    McGrain Diamond Dog Staff Member

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    Very good post, but is that a myth? Arcel named him one of the greatest generals ever. Eddie Futch said similar things, not quite as direct as Arcel's "mental energy" quote, and of all people Glenn McCrory would not stfu about how clever Robinson was in the wring, how closely he controlled the action. But anyway there are loads of guys who feel that way - has this athlete theory passed me by a bit?

    In my time watching boxing i've tried to box ring generalship down to two boxes, controlling distance and controlling workrate, with a stack of methods made up just to make these allowable, so I never really counted feinting as a method of ring generalship outside of its controlling how people moved - Robinson is the single greatest challenge to that perspective on film.

    Vicente Saldivar got close to him IMO and then mid-late career Roman Gonzalez got close to him.
     
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  10. McGrain

    McGrain Diamond Dog Staff Member

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    Yes, so very good isn't it, good read. Next time you watch it do it entirely from LaMotta's perspective if you haven't, you'll have this much fun at least again. I've seen it maybe 100 times, and really sat with it maybe 10 times and i'm still learning and thinking new things because of it. I'm not exaggerating in that my boxing fandom is at least 20% made up of hoping to see something like this again.
     
  11. META5

    META5 Well-Known Member Full Member

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    I think it's becoming a bit of a myth, in a similar fashion to Ali and RJJ were all reflexes, no fundamentals or that Evan Fields was merely a headbutt specialist or Liston wasn't a fantastically skilled boxer.

    The issue is that's it's us older guys that are more likely to listen to a D'Amato, Futch, an Arcel, a Blackburn - some fans won't even listen to Duva, Manny Steward or a Benton. There's people that I know that dismiss Atlas cos of his Tyson blindspot and how he looks - it's just become a new generation of fickle fandom who like shiny new toys.

    Put it like this, I've recently watched Robbi Vs Docusen over and over again and whilst appreciating that an older MW Robbi was much more content with relying on his chin and standing in the pocket and outmanning his opponent, it was a stark reminder that Robbi was capable of boxing almost Pep-like if he wanted to, but when God gives you that God-given hand-eye coordination and power combination, you don't need to box like a Pep who gets murdered if he stands toe to toe with Saddler. Technically, you're the Saddler, power wise - don't need to box like Pep when you can knock a man out either hand.

    I think I probably listen a bit too much to the younger or more general fan who look at the greats and dismiss them cos they don't have zero's on their loss stats or they get judged by how they ended up rather than how they started ala SRR, RJJ, Ali, Louis, SRL, Charles etc.

    You're right though, Robbi got his kudos from those that saw him in and around his best - I just happen to think he's undersold nowadays in terms of how good he really was as an artist as opposed to a knock out specialist in the ring.
     
    Last edited: Aug 2, 2026
  12. Ioakeim Tzortzakis

    Ioakeim Tzortzakis "The David Haye of Loma's Gay" -Edgar Allan Poe Full Member

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    I want to brings this back to life again, coz I had a bit of an epiphany when watching Teo vs Rolly and Yoenli vs Veron in yesterday's card. Back to back fights that couldn't be any more different from each other.

    Rolly performed perhaps the worst choke job ever with how disgustingly inactive and negative he was, and Yoenli was throwing leather the entire fight, but had a tough opponent that was there to win who fought back and lasted the distance. The two fights were total opposite extremes of each other, basically.

    I was putting myself in the shoes of Veron and Teo in both bouts, in terms of how I'd deal with Yoenlli and Rolly. Being around Yoenli's weight myself, I was kinda scared shitless of him. He's tall and long for the weight class, an aggressive and explosive puncher who wants to knock you out, and has very fast hands.

    I haven't boxed competitively (yet), but I've sparred enough decent amateurs to know what type of whooping I'd receive if I just let this man do what he wants. I really, really, don't want this man throwing leather at me. Coz I'm not sure I can take it the way Veron is taking it. I've got to take away his punches, especially his straight shots. With Rolly it was the opposite. Rolly wouldn't throw anything even if you had the officials strap Teo with the belt in the break between rounds. And Teo just can't lead to save his life, he works best as a counter puncher. And I was so frustrated that this time I was thinking the opposite. I want this man to start throwing punches at me.

    And that made me come up with a theory about ring generalship and strategy. Everything contained in it, be it geography of the ring, distance, feints, baits, controlling work-rate or tempo etc all depends on a fighter picking 1 of 2 choices. "Do I want to take away my opponent's punches, or do I want to draw them out ?". I think it's a very real possibility everything about ring generalship stems from the answer to this question. You answer it and work from there afterwards. I think this may even be the root behind the whole styles make fights thing. Obviously, I doubt any fighter goes an entire fight thinking he doesn't want to draw a lead or take away someone's right overhand or left hook, he's certainly gonna want to mix it up. But you get the point.

    I really want your take on this one. And if you agree, well, obviously Robinson vs LaMotta is a great specimen of a fight for study given that it's all about it. Robinson wants LaMotta to keep coming forward, and I very much doubt Jake wants Robinson to do the same. I watched the first 5 rounds and it's an interesting strategic evolution from Robinson's part. Round 1 is all jabs, he threw a single right hand, one singular left hook and then a triple hook. For the greatest combination puncher of all time to throw a mere 5 non jabs in a full round has gotta mean something. He introduces the right body hook in round 2 but only throws it twice Iirc. It's in rounds 3 and 4 that he goes kinda ham with it and other punches in his arsenal. In round 5 Robinson is mostly sticking to his jabbing routine, but the few times he does throw in combinations, it catches LaMotta off guard and you can even see him mentally going "oh ****" and approaching Robinson with more caution and hesitancy. He even takes a step back at one of his feints. It's late so I'll watch the rest tomorrow, but it's interesting to see LaMotta clearly doubting himself so relatively early. Curious to see how Robinson builds up on that cautiousness.
     
    Last edited: Aug 23, 2026 at 8:37 PM
  13. El'Ice

    El'Ice An old pal. Full Member

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    I know some folks that will read this AND STILL swear on their mother that Robinson wouldn't be able to compete today
     
  14. El'Ice

    El'Ice An old pal. Full Member

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    Roy Jones Jr in his fight with Tony Thornton essentially conditioned him into one of his prettiest knockdowns in whis whole career, I've stolen the COMPLETE SEQUENCE and always use it at one point in my sparrings and these guys ALWAYS fall for it.

    I'm sure most people will know this one, but I'll still describe it because it holds a special place in my heart, and i'll be doing so in the most childish way possible, because that's how Mr Hook. made me feel when i watched this scene for the first time.

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    After carefully slipping one of Tony's jabs, Roy circles around the ring as Tony patiently approaches him. When Roy notices he's being driven towards a corner, he throws a quick 1-1b whilst circling to his left to get himself out of danger.

    As he circles, Roy notices something peculiar in Thornton's defense, a crack in the shell, a path to victory.

    The slowness of Thornton would be his downfall.

    Due to Roy's speed, I assume Tony utilizes a high guard to deal with the first jab to the head. But instead of simply staying in that position when the jab goes to the body, he leans slightly to his right and brings his hands down.

    I'm sure most of you know where this is going.

    The Fastest Ever certainly did.

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    Something clicks inside Captain Hook's head as he throws the same combination for the second time.

    This time, however, Tony doesn't go into a high guard. He uses his rear hand to parry both of Roy's jabs, but the same issue still persists: his rear hand takes a moment to return to its usual position.

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    Roy completes the trilogy.

    Same combination again.

    Tony barely slips the first jab and parries the body jab with his rear hand, once again leaving it out of position instead of bringing it straight back to where he needs it to defend... the hook

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    After lingering around for a few moments, Roy gets into position.

    He visualized the plan, he has prepared physically, spiritually and mentally for what he will be going to do

    He knows exactly how it will be turning out

    Roy has
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    Roy unleashes a lightning-fast jab to Tony's face.

    Tony slips it.

    But before doing so, Thornton has already seen Roy crouch down after the first jab, expecting the body jab that Roy has shown him multiple times already. His rear hand comes down in anticipation.

    He doesn't realize the mistake he's made.

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    Roy uses the momentum of that crouch and LEAPS forward, throwing a sweeping lead hook directly into Tony's cheek.

    It connects beautifully.

    Thornton is completely caught off balance and crashes to the canvas.

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    And as he falls...

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    The bell rings.

    Roy turns his back on the fallen corpse, as he is redirected to his corner

    meanwhile we get a close look on the downed Tony, based on the angles of the ring and the direction in which he went, we can only assume he is looking at the turned back of the man who did this to him

    As he goes up, the look of his face:

    perplexed, astounished, surprised,
    he doesn't know what happened,
    he doesn't know what hit him

    He was simply
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    BRAVO JONES, BRAVISSIMO!!!!!

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