With the way that boxing has changed so drastically, I sometimes wonder whether our debating guys like Burns, Jeffries, Johnson, and maybe even Dempsey is just pointless. The early rules / conditions / techniques are different enough that we're critiquing stuff we've never seen live, done ourselves, or been taught in a gym. We aren't playing the same game today. I'm strongly suspicious that there's a sizable minority of techniques we see on early film that we can't recognize because we *literally don't know what they're for, or why they're being done.* (I mean, they're broadly done to allow one guy to hurt the other guy, but the finer details of what they're trying to accomplish tactically aren't immediately apparent.) Some of the guys who left manuals behind explain their reasoning, but the techniques are not always straightforward. You wouldn't necessarily have guessed how things were supposed to work just from watching on film. And lots of them are different from each other, each with his own bizarro style. I think Louis is about as early as you can get in the heavyweight division where things really begin making sense to a modern boxing fan.
Louis was as close to the book as we have ever been in boxing history across all weights. If not for Joe Louis I don't think we would have a text book boxer to reference at all.
it is impossible to know the form of guys going into fights. Or hear the pre-fight sparring stories from say a 1952 bout. Or to know much about the behind the scenes issues like injuries. manager problems. trainer problems. weight problems. other fights available and why was this opponent selected. Why was this guy avoided. why was the bout held there. why that size ring. why that ref and not someone else. why those judges? Way way too many intricate and important factors.
Yes, to a modern boxing fan, it is a good starting point. Yet it is worth studying how Schmeling, using an earlier style, beat Joe Louis too. Rather than accept excuses for Louis, it is worth breaking down and studying how the two styles worked together. Schmeling made what he was doing work.