Wow, incredible quality. Rez, i love what you do. For me it is every bit as valuable, if not more so, as some of the historians digging up records and articles of obscure fighters. Bringing old footage to life is great. I know you are all about the atmosphere and seeing the sweat fly and hearing the crowd, etc, but for me I'm just about seeing as good quality of our greats as possible. I'm staggered how clean this is,when I saw the thread I had no idea it would blow my mind. Again, excellent work.
I always thought the left hook was to the inside of the forearm or to the glove itself. Great job nonetheless.
Cheers Luf! Coloring this footage is very tedious. And you're right, I care a lot about quality of footage, and how it affects our perceptions. So I'm glad you, and others in this thread appreciate it as much as I do. It makes the hard work very much worth it. I'm planning to release a full Joe Louis tribute in color later this year. It'll be great!
Great great stuff and as lc said Mr reznick extremely important to history. It makes a very positive difference to the film and sports history....Louis and maybe down the line a little Dempsey footage colorized....very very important work you are doing and her very appreciated by others. Thank you
Not sure if i'm reading into this incorrectly but I looks like Louis is feinting the looping overhand right to buy himself a half second opening before shortening the blow and connecting full force. How many men can generate such power with a short punch? When you look at some of of the greatest knockouts in HW history, few are with a short right hand inside.
There's actually a lot to ****yze in this short clip. He starts by feinting a jab to the body. Next, I think he feints with his eyes to the body. Although you can't see his eyes, Louis feints with his eyes all the time (Schmeling KO). And it looks like Braddock is reacting to a feint to the body. He's clearly reacting to something after the first jab feint. And he keeps his gloves low, and he seems to be focused on Louis coming to the body. As Louis infamously pushes Braddocks left away, he also steps in, sneaking his way into range with his right. As he does this, his right glove is in a parry position to prepare for a possible Braddock right, and also to conveniently serve as a good starting position for a power right punch. The truly remarkable bit is how Louis switches his hand from a parry position, into a devastating overhand right with lightning speed. You can't see it coming. Although color adds more clarity, we still miss a lot of detail. The most important being depth. It's very difficult to gauge the distance between Louis and Braddock. And this leaves us with less sympathy and appreciation for the skill required to land this punch, than if we were to see it with modern film technology.
Yeah the lack of depth perception troubled me a bit, he shapes his right hand as if to throw a huge looping shot, or to parry as you say, way ever the intended feint I doesn't seem like he's about to throw a short chopping right. But we can't see the distance his right travels, is it inches or feet? Are they in the pocket or stood at mid range? Being that close you can see the fear in Braddock as he realises he feel for the feint and left himself open, but being that close we can't see the feet ad can't judge the distance.